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
Peter Blake
Homage to Rauschenberg II, 2011
Silkscreen on Paper
Published by CCA Galleries
Printed at Coriander Studios
Published by CCA Galleries
Printed at Coriander Studios
700mm x 817mm x 2mm
Edition of 125
Copyright The Artist
‘Homage to Rauschenberg II’ – A signed, limited edition collaged silkscreen print with gold leaf, diamond dust, embossing and glazes by pop artist Sir Peter Blake. Printed at Coriander Studios,...
‘Homage to Rauschenberg II’ – A signed, limited edition collaged silkscreen print with gold leaf, diamond dust, embossing and glazes by pop artist Sir Peter Blake. Printed at Coriander Studios, published by CCA Galleries.
The collage composition continues a theme of childhood games which runs throughout the series, featuring a chess board as well as classic pop art motifs such as advertising excerpts and the American flag.
The print can be purchased as part of the Homage to Rauschenberg boxed set, which features five silkscreen prints created as a tribute to Robert Rauschenberg, whose work has inspired Peter Blake throughout his career.
“Robert Rauschenberg was an enormous influence on me in the mid-1950s. My 'Rauschenberg’s' are a very formalised version of his work. I made no attempt to assimilate his beautiful, almost 'Abstract Expressionistic' use of paint.” – Peter Blake
The collage composition continues a theme of childhood games which runs throughout the series, featuring a chess board as well as classic pop art motifs such as advertising excerpts and the American flag.
The print can be purchased as part of the Homage to Rauschenberg boxed set, which features five silkscreen prints created as a tribute to Robert Rauschenberg, whose work has inspired Peter Blake throughout his career.
“Robert Rauschenberg was an enormous influence on me in the mid-1950s. My 'Rauschenberg’s' are a very formalised version of his work. I made no attempt to assimilate his beautiful, almost 'Abstract Expressionistic' use of paint.” – Peter Blake