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
Lucy Farley
Stroud, Low Moon, 2014
Silkscreen Print on Paper
Published by CCA Galleries
Printed at Coriander Studio
Published by CCA Galleries
Printed at Coriander Studio
1365mm x 1010mm x 2mm
Edition of 100
Copyright The Artist
‘Stroud, Low Moon’ – A signed, limited edition silkscreen print with glazes by British contemporary artist Lucy Farley. Printed at Coriander Studio, published by CCA Galleries. Lucy Farley’s latest edition...
‘Stroud, Low Moon’ – A signed, limited edition silkscreen print with glazes by British contemporary artist Lucy Farley. Printed at Coriander Studio, published by CCA Galleries.
Lucy Farley’s latest edition continues her lyrical and atmospheric exploration of the English landscape.
“’Stroud Low Moon’ is part of a series of recent work based on the Gloucestershire landscape and the re-connection of the Cotswold canals in Stroud Valley, the Thames & Severn with the Stroudwater Navigation. My walks in the valleys are documented in my sketchbooks in a variety of mixed media. The image is built up from many different drawings done on the spot, which contribute to the collected fragments of imagery and atmosphere in the final piece. De Kooning has continued to be an inspiration for these pieces, along with the tradition of the British neo-romantics (Keith Vaughan, Graham Sutherland) and their very individual portrayal of the same landscapes.” – Lucy Farley
“’Stroud Low Moon’ is part of a series of recent work based on the Gloucestershire landscape and the re-connection of the Cotswold canals in Stroud Valley, the Thames & Severn with the Stroudwater Navigation. My walks in the valleys are documented in my sketchbooks in a variety of mixed media. The image is built up from many different drawings done on the spot, which contribute to the collected fragments of imagery and atmosphere in the final piece. De Kooning has continued to be an inspiration for these pieces, along with the tradition of the British neo-romantics (Keith Vaughan, Graham Sutherland) and their very individual portrayal of the same landscapes.” – Lucy Farley